Classic literature |
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IT NOTICES: Since the Chinese literary genres are different from the western ones, we place under this epigraph Chinese literary works not classified under other paragraphs. Anónimo. - Seven victims of a bird (Chinese police Stories). FCE. This minor genre, as one always considered to the story in China, it does not stop providing surprises to us. As if of a bottomless sack it was talking each other, they are translated and publish collections of stories that do not stop providing agreeable surprises to us. These stories, in particular, belonging to the police genre, they are delightful, easy to read, and interesting. Anónimo. - Beautiful of naivety. Tusquets. 1997. In this book there are published three Chinese erotic histories of the dynasty Ming, about the XVIth century, in them legends and more ancient stories are gathered, since, although almost known in Occident, the Chinese erotic novel has been a genre much used for many centuries, the works sometimes were circulating secretly, others were published openly. It is possible to enjoy this small sample. Anónimo. - Chinese Stories. Anonymous. Kapok tree. 1985 The present selection realized by the Briton Alfred J. Hodgson, is one of the most finished, given that to the number of types that it includes, mythological, fantastic, magic stories, and even love stories, a basic idea allows to be done on this literary genre. This book is one of the strangest and fascinating books of the Chinese cultural heritage. Writing during hundreds of years, finished more than 25 centuries ago, narrates, in the form of a geographical agreement the physical, natural and human characteristics of the whole world known for the Chinese of the epoch. The detail with which cultures and situations are described has turned it into a rich agreement of natural sciences, geography, mythology and anthropology. Gan Bao. - Soushenji. - extraordinary Stories of the medieval China. Language of Rag. 2000 If the Chinese stories have always been characterized by his tendency to the fantastic thing and to the supernatural thing, these stories compiled by Gan Bao and translated by Yao Ning and G. García Noblejas, curl the curl of the most impossible reality up to creating absolutely delightful histories. García-Noblejas, Gabriel (Selection and translation). Chinese fantastic stories. Seix Barral. 2000 These stories are assembled by all the topics of the universal fantastic genre: flying heads, carved up bodies, wonderful countries with divine women who make forget the traveler the passage of time. A strange and beautiful miscellany of poetry, irony and fantasy. Li Fuyan. - Stories of the Dynasty Tang. New library. 1999. Although the story was always considered to be in China a minor literature, there is not doubt that it is the literary genre with which more easily one associates the Chinese. The histories chosen in this book were written during the dynasty Tang (618-907), when the imperial China reached his splendor. Liu Xue. - The heart of the literature and the chiselling of dragons. Translation of Alice Relinque. Coseas. This is one of the first works of literary criticism, and the most important of the small stones. Written in the Vth century, along the same one, the author realizes an exhaustive and finished study of all the used literary genres. A pity that the translation of Alice Relinque has spent almost unnoticed. David Martínez-Robles (ed)., Carles Prado-Fonts (ed). and Alice Relinque Eleta. - Chinese Narratives: fictions and other forms of not literature. Publishing house UOC. Barcelona, 2008 This volume on literature in Chinese language embraces a very extensive period that begins concerning the VIIIth century d. C: and that it finishes in the XXIst century. This revision is articulated following the tracks of a literary genre - the narrative of fiction - that has been historically alienated by the classic tradition, but that, nevertheless, shows the existence of other forms of intellectuality and of culture in a Chinese world that has little to do with the monolithic and reactionary idea with which often he has been represented in Occident Pu Songlin. - Stories of Liao Zhai. Alliance. Pu Songling recreates a bogeys world, demons, magicians, animal wise persons and reincarnated spirits that coexist, in major or minor harmony, with the common one of the mortal ones. Using a big variety of elements - popular legends, previous literary works, historical events, personal experiences - the author provides a new dimension to the classic story after critical spirit impregnates his histories of pronounced. Relinque Eleta, Alice. - Three Chinese dramas. Gredos. 2004 If the publishing house Gredos had already acquired a just reputation for his translation and edition of the Greco-Roman classic texts, this incursion in the Chinese classic culture, it is more than gratifying. The injustice against Dou E, of Guan Hanqing and The orphan of the Zhao of Ji Junxiang, they are read by a pleasure seldom attainably in a stage play. The History of Allah west of Wang Shufu considered by many the "Romeo and Julieta" of China, breaks with the topics of the previous works. The translator caresses the words, rindiñendolas, tamed, and nuesros feet, in impeccable Spanish. His accurate, not too abundant notes, they help us to understand what the distant culture might conceal us. Wilhelm, Richard. - Chinese Stories, I and II. Paidós. 1998 An elegant selection of stories realized by one of the most eminent sinólogos of all the times. Enjoying his reading, there can go away aprehendiendo the extract of the Chinese soul, his thought in which the fantastic world and the real one, are more imbricated than in Occident, his concept of the humor and of the love, etc. Zhang Hua. - Relation of the things of the world. Trotta. 2001 As its own name indicates that the "Relation of the things of the world" is a work with encyclopedic vocation. Written by Zhang Hua in the IIIrd century, one of the most awake minds in a century of chaos, presents to the reader the things of the world of this epoch. Since it has already been said before 40 original chapters, only there remain 10. Considering the presentation of the same ones, with brief paragraphs dedicated to every concrete topic, this lack he does not suppose a difficulty in the reading. |
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